Manufactured in the USA from top-quality, smoothly sanded 1/8 birch plywood. 18 x 24; 20 x 24; 10 x 12; 8 x 16; 14 1/2 x 21 1/2. Select Quantity. Our panels are constructed of a smooth solid wood cradle. Constructed with a Baltic Birch Wood face and a smooth solid Poplar Wood cradle (frame around the back). Available in Flat (7/8) Cradle or Deep (1 5/8) Cradle.
American Easel wood panels are constructed with a Baltic Birch wood face and a smooth solid Poplar wood cradle (frame around the back). Available in Deep (1 5/8) Cradle. Call Us: 1 (800) 227-2788. These wooden panels are cradled with a solid wood frame which eliminates warping and stretching. Gessoed 8X8 Painting Panel 1 5/8In Cradle. This Heritage Deluxe Gessoed Painting Panel measures 8 X 8 inches. More. American Easel 1 5/8 in.
Order Form. COVER COMPETITION 68. Artist Panels. 1. www.BillAntonStudio.com. B. ShippingPass. Alliance Sterling Ergonomically Correct Rubber Bands, 107, 7 x 5/8,. Compared with other wood panels on the market, the Unprimed Basswood is sanded perfectly smooth and lacks plywood seams, knots or raised fibers.
American Easel Cradled Panels: X
Opening Reception: Friday, October 31, 2014 6-8:30 p.m. From black walnut to zebra wood, burl and mahogany, Gary makes each piece unique, letting the beauty, grain and design of the wood shine. Meet Gary at our artist’s reception, Thursday, January 21st from 5:00 8:00. Introducing Kendahl Jan Jubb!We are delighted to introduce the art of Kendahl Jan Jubb! Uniquely different than traditional watercolor, Kendahl paints on specially treated stretched deep canvas, then varnishes the finished painting. Long considered one of America’s top impressionists, Susan’s masterful paintings are filled with warmth and beauty. Shadows on the House, oil on panel, 9 x 8, 1982. This is the easel Hopper used to paint in the studio in a pastel drawing Koch made during one of his residencies. In this portrait, the dashing subject’s facial expression suggests deep absorption in thought, and the flash of bright colors in the dark background lends mystery to the figure of the brooding subject. He has evidently gone to his easel to paint what he thought, not to think what to paint. Mount skillfully creates the illusion of the barn’s weathered wood, replete with knotholes and splinters.